With a focus issue on Theatrical Trade Routes this new, peer-reviewed, open access online journal presents recent research in theatre history devoted to exploring the historical dimensions of theatre and performance from a global, transnational and transcultural perspective. The journal has grown out of a research project conducted at Ludwig-Maximilians-University Munich (LMU) entitled Global Theatre Histories: Modernization, public spheres and transnational theatrical networks 1860-1960 (GTH). Sponsored by the German Research Society (DFG) within its Reinhart Koselleck programme for high risk research this six-year project explored the emergence of theatre as a global phenomenon against the background of imperial expansion and modernization in the late nineteenth and early twentieth centuries. The Journal is issued by the recently established Center for Global Theater History, based at LMU’s Theatre studies department.
The journal for Global Theatre History is published twice a year and welcomes submissions that present original research on theatre, opera, dance, and popular entertainment against the backdrop of globalization studies, transnational and transcultural processes of exchange. We encourage submissions of material covering all historical periods areas, periods, or epochs of all genres of the performing arts, but place special emphasis on the eighteenth, nineteenth, and twentieth centuries.
The journal and more information on submissions, the review process, and future issues can be found at:
Center for Global Theatre History
The Editorial Team
Christopher Balme and Nic Leonhardt
Derek Miller (Harvard), Helen Gilbert (Royal Holloway London)
Stanca Scholz-Cionca (Trier/Munich), Kati Röttger (Amsterdam)
Marlis Schweitzer (York University, Toronto)
Roland Wenzlhuemer (Heidelberg), Gordon Winder (Munich)