Sometimes a prolonged silence means a productive phase…. And then it is worth waiting for more news. I am very pleased to announce here today that there is a new publication from our ranks, Theatre for Development in Africa. Historical and Institutional Perspectives, by Christopher B. Balme and Abdul Karim Hakib.
Karim is a former PhD student in the ERC project Developing Theatre. He defended his thesis in 2022. Christopher Balme is the former principal investigator of the now officially expired, yet still active project of the same name.
When the ERC project Developing Theatre was designed back then, it quickly became clear that a project on the concept of “Theatre for Development” in Africa could not be missing. At the time, we managed to recruit Karim Hakib from Ghana, a true expert on the subject.
From the cover of the book:
“Theatre for Development is one of the most dynamic and controversial theatre movements on the global South. Emerging in Southern Africa in the 1970s to address social and economic problems using theatrical techniques, today it is taught in theatre departments across sub-Saharan Africa and employed in numerous contexts from health care to agriculture. This book investigates the emergence of TfD from its beginnings to its transformation into a coherent organisational field capable of attracting significant governmental and NGO funding. Drawing on leading African scholars and practitioners the volume examines the complex transnational processes that led to the institutionalization of Theatre for Development.”
The book is available to read both digitally and in print.
Congratulations to the authors – and a stimulating read to our followers!
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°° Christopher B. Balme, Abdul Karim Hakib. (eds.). Theatre for Development in Africa. Historical and Institutional Perspectives. Hildesheim, München: OLMS 2023.https://epub.ub.uni-muenchen.de/93602/
OpenEdition schlägt Ihnen vor, diesen Beitrag wie folgt zu zitieren:
Nic Leonhardt (28. Januar 2023). New publication out: “Theatre for Development in Africa”, by Christopher Balme and Abdul Karim Hakib (eds.). Global Theatre Histories. Abgerufen am 5. Dezember 2024 von https://doi.org/10.58079/pcsn