Journal of Global Theatre History: Vol. 3, no. 1, 2019 out now.

Fernanda Torres in The Flash And Crash Days

The peer-reviewed online Journal of Global Theatre History has recently published its 3rd issue.

Explore this new issue and learn about the popular genre joyūgeki  (actress play) in Japan,  about theatre education in the Levant, i.e. Syria, Lebanon, Iraq, Jordan and Palestine, between late 1940s and early 1990s, and about the influence that new paradigms and global circuits have exerted locally on the relationship between theatre aesthetics and production in Brazil.

Contributors are Ayumi Fujioka on „A New Notion of Time in Modern Tokyo Life: A Comedy at High Speed at the Imperial Theatre in the 1920s“, Ziad Adwan onImaginary Theatre. Professionalising Theatre in the Levant 1940-1990“, and Gustavo Guenzburger on „Transnationality, Sponsorship and Post-Drama: „The Flash and Crash Days“ of Brazilian Theatre. With an introductory comment by Nic Leonhardt.

We would like to thank all authors for sharing their research and ideas and allowing us to publish their stimulating papers.



OpenEdition schlägt Ihnen vor, diesen Beitrag wie folgt zu zitieren:
Gwendolin Lehnerer (11. April 2019). Journal of Global Theatre History: Vol. 3, no. 1, 2019 out now. Global Theatre Histories. Abgerufen am 23. Juli 2024 von https://doi.org/10.58079/pcry


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