A warm welcome to Gideon Ime Morison, new PhD student of our ERC Project „Developing Theatre“

We are very pleased to announce that Gideon Ime Morison joined the ERC Project „Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945“  in January, 2019. His PhD research will focus on expert networks, techno-politics and emergent performance trends in select Pan-African cultural and arts festivals focusing, particularly, on FESTAC ’77 and PANAFEST.

Gideon Ime Morison is a poet, academic, researcher, blogger, and theatre/cultural critic. He is an Alumnus of the Department of Theatre, Film and Carnival Studies, University of Calabar and the Department of Theatre Arts, University of Uyo, Nigeria.

Gideon Morison has tutored, partnered and consulted widely for individuals and bodies corporate. His research output, which straddle areas such as media / theatre theory, history and criticism, development communication and comparative cultural studies, has been published severally in the Nigerian Theatre Journal, Parnassus, and Bianchi Journal. He also lectures in the Department of Theatre Arts, School of Secondary Education (Arts and Social Sciences), Federal College of Education (Technical), Omoku, Rivers State – Nigeria.

Expert networks, techno-politics and emergent performance trends in select Pan-African cultural and arts festivals

Global historical happenings such as the Slave Trade, Colonization, World War II and the integration of oppositional voices or liberation movements against them are widely assumed to have had a profound influence / impact on the emergence, development and diversity of performance culture across the African continent. The philosophy and activism of movements like the slave trade abolitionist group, negritude, nationalist political organizations, as well as arts and cultural troupes / groups sponsored or funded from the diaspora seems to have created a network of collaborations with the goal of forging a renaissance in African identity as expressed / exhibited through various international cultural and arts festivals held in Africa from 1966 to 1977 and beyond. Gideon Morison’s research will focus on the critical examination of the global linkages, expert networks, and techno-politics that enabled the staging of these events. With particular emphasis on FESTAC ´77 and the emergent Pan-African Historical Festival (PANAFEST), this study assess the contributions and legacies of the festivals on the performance praxis in the post-colonial territories in which the festivals were and / or still staged. 

Journal of Global Theatre History: Vol. 3, no. 1, 2019 out now.

Fernanda Torres in The Flash And Crash Days

The peer-reviewed online Journal of Global Theatre History has recently published its 3rd issue.

Explore this new issue and learn about the popular genre joyūgeki  (actress play) in Japan,  about theatre education in the Levant, i.e. Syria, Lebanon, Iraq, Jordan and Palestine, between late 1940s and early 1990s, and about the influence that new paradigms and global circuits have exerted locally on the relationship between theatre aesthetics and production in Brazil.

Contributors are Ayumi Fujioka on „A New Notion of Time in Modern Tokyo Life: A Comedy at High Speed at the Imperial Theatre in the 1920s“, Ziad Adwan onImaginary Theatre. Professionalising Theatre in the Levant 1940-1990“, and Gustavo Guenzburger on „Transnationality, Sponsorship and Post-Drama: „The Flash and Crash Days“ of Brazilian Theatre. With an introductory comment by Nic Leonhardt.

We would like to thank all authors for sharing their research and ideas and allowing us to publish their stimulating papers.