The first workshop of the ERC project Developing Theatre is taking place in New Delhi. Organized by Gautam Chakrabarti, PostDoc of the research group, this workshop brings together theatre, art and media scholars and practitioners from India and Europe at the beautiful India International Centre, New Delhi (29-30 September, 2017).
Post-independence India was one of the key sites where the “cultural Cold War” was fought–more often than not– with as much gusto and ruthlessness as its ideological and military counterparts. Theatre was one of the core areas in which this cultural conflict was played out between the 1950s and 1980s, with almost all the major players, both individual and collective or institutional, in contemporary Indian theatre having gone through the ’rite de tomorrow passage’ of ideological training. Academic exploration of these political contestations and problematisations of cultural practices, especially in the Indian context, have opened up larger horizons of possible enquiry. This workshop seeks to bring practitioners, scholars and witnesses of this fascinating history into dialogue with one another.
Participants: V. Akshara (NINASAM, Heggudu) – Christopher Balme (LMU Munich; PI ERC-Project „Developing Theatre“) – Trina N. Banerjee (Centre for Studies in Social Sciences, Calcutta) – Gautam Chakrabarti (LMU Munich, ERC-Project „Developing Theatre“ – Dwaipayan Chowdhury (Jawaharlal Nehru University, Delhi) – Anirban Ghosh (Jadavpur University, Calcutta) – Rakshanda Jalil (Writer, Critic and Literary Historian, Delhi) – Minakshi Kaushik (Jawaharlal Nehru University, Delhi) – Malashri Lal (Convener, English Advisory Board, Sahitya Akademi, Delhi) – Nic Leonhardt (LMU Munich, Associate Director, ERC-Project „Developing Theatre“) – Raghunandana Sathamarshana (Poet, Playwright and Stage-Director, Bengaluru) – Tripurari Sharma (National School of Drama, Delhi) – Vani Tripathi-Tikoo (Member, Central Board of Film Certification, Delhi) –Atul Tiwari (Theatre-, Media- and Film-Practitioner, Independent Scholar, Mumbai)
The workshop is internal. The programme can be downloaded here.
The peer-reviewed online Journal of Global Theatre History has recently published its 2nd issue with special focus on Theatrescapes. Global Media and Local Publics. Explore this new issue and learn about the Denishawns in Asia, Sarah Bernhardt in Brazil, a female Jockey from the Rio de la Plata region, and German actor Daniel Bandmann performing Shakespeare globally.
Contributors are Monize Oliveira Moura on „Sarah Bernhardt in Brazil (1886 and 1893)“, Catherine Vance Yeh on „Experimenting with Dance Drama: Peking Opera Modernity, Kabuki Theater Reform and the Denishawn’s Tour of the Far East“, Johanna Dupré on „‚Die erste Jockey-Reiterin der Welt, aus Süd-Amerika‘: Rosita de la Plata, Global Imaginaries and the Media“, and Lisa J. Warrington on „Herr Daniel Bandmann and Shakespeare vs the World“. With an introductory comment by Nic Leonhardt.
We would like to thank all authors for sharing their research and ideas and allowing us to publish their stimulating papers.
The topic of the next issue of the journal (May 2017) will be Translocating Theatre History. Papers are due on 15 March, 2017.
published in Theatre Research International, Volume 40 / Issue 02 / July 2015, pp 140-155
„Bangkok, Singapore, Paris, Vienna, Berlin, St Petersburg – some thirty performers of the Boosra Mahin Siamese Theatrical Troupe toured the world in 1900. Daily newspapers enthusiastically reported on the unprecedented shows of the performers ‘from the land of the white elephant’. After they disappeared from the map of theatre history, in 2010 Thai choreographer Pichet Klunchun ‘revives’ the troupe in his performance Nijinsky Siam. He follows their October 1900 St Petersburg show – the very performance attended by choreographer Mikhail Fokine and costume designer Léon Bakst, who later worked closely with Vaslav Nijinsky. In 1910, Nijinsky’s La danse siamoise/Siamese Dance premiered at the Marinsky Theatre, St Petersburg. This article follows the routes of the Boosra Mahin Troupe on the basis of selected primary sources and from a global-historical perspective. In tracing the Boosra Mahin Troupe and their tours, the article not only maps their manifold routings and reroutings, but also advocates for the need for a global theatre historiography that puts past cultural entanglements and connected performance histories centre stage.“
Three members of the GTH team, Nic Leonhardt, Christopher Balme, and meLê yamomo, have been invited to organize a panel at the annual conference of the Cluster of Excellence „Asia & Europe in a Global Context“ (8-10 October, 2014, Heidelberg) They will present and discuss hitherto unknown facets and new findings on Theatrical Agents, Managers and Impresarios in Global Theatre Histories (1850-1920) in Asia and Europe.
Conference Theme: „Cultural Mediation: Creativity, Performance, Display“
Conference Organisation: Cluster of Excellence, Research Area B: C. Brosius, M. Trede,L. Abu-Er-Rub, H. Harder