Theatrescapes – GTH Centre Launches the first Podcast on the Histories of Global Theatre

 

The audio podcast Theatrescapes focuses on the Global Histories of Theatre and the Histories of Global Theatre. It is produced by the Centre for Global Theatre History at LMU Munich.

The Centre for Global Theatre comes up with a new format: in June, we launch our audio podcast: Theatrescapes !  

Theatrescapes takes up those topics that have engaged the Centre’s researchers and its international network since its beginning: Stories and case studies about theatre in a global context, mainly from a historical perspective, but also reaching into the present. The podcast is dedicated to conversations and book reviews about the global or transnational histories of the performing arts, of drama, dance, opera, circus, etc., from the early modern period to the 21stcentury. Guests and interview partners include scholars and artists, theatre and cultural practitioners from around the world. At Theatrescapes, the world is at the microphones for the world.

The variety of topics at Theatrescapes is unique and requires curation. The podcast is therefore structured in series of 3-5 episodes each, dedicated to areas of focus.

A short intro episode in early June will be followed by the first series, Theatre (Research) in Times of Covid, that explores how the global pandemic situation has impacted theatre practice and research. In conversation with theatre scholar Nic Leonhardt, host of the Theatrescapes podcast, theatre practitioners and arts supporters, researchers and faculty members from South America, Asia and Europe describe challenges and opportunities of that special time period that is making history.

We welcome listeners from around the world! 

If you have suggestions for topics and conversation partners, please do not hesitate to contact us!

Special thanks go to our colleague Aydin Alinejadsomeh who conjures everything around the technology.

We would also like to thank the Legon Palwine Band from Accra, Ghana, for letting us use their great music for the podcast!

Theatrescapes is available here, on iTunes, Google Podcast and Spotify

Please follow our updates here on this blog, on Facebook and Twitter.

 

New article out: C. Balme & N. Leonhardt on „The Rockefeller Connection“

„The Rockefeller Connection: Visualizing theatrical networks in the Cultural Cold War“, in Comparatio, Vol. 12, 2, 2020, p. 127-144.

In this co-authored article, Christopher Balme and Nic Leonhardt (both ERC project Developing Theatre at LMU Munich) examine how the Rockefeller Foundation funded theatrical initiatives in developing countries: the Philippines and Nigeria. Using visualization software, in this case the open source application Gephi, the authors demonstrate how personal and institutional networks underpinned the cultural, specifically, theatrical development strategy of the foundation. The paper discusses the principles underpinning historical network analysis and analyzes two case studies, Severino Montano’s Arena Theatre in Manila, and the establishment of a School of Drama at the University of Ibadan, Nigeria.

  • This article has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 694559 – DevelopingTheatre) 
and is available in the open access format.

 

Conference Theater for Development (TfD): Historical and Institutional Perspectives – Program and Map

Pretoria, South Africa, 16-20 March, 2020

International Conference, organized by ERC project Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945 & Department of Drama & Film Studies, Tshwane University of Technology in Pretoria, South Africa.

The final programme of the conference Theater for Development (TfD): Historical and Institutional Perspectives is now online and can be accessed here: Conference_Pretoria March 2020_final programm

A map of the conference venue is online and can be accessed here: Map_Art Campus_Tshwane University of Technology

 

GTH Journal, Vol 3, 2, 2019 out now – Special Issue on Philanthropy and Developing Theatre

The fall issue 2019 of the Journal of Global Theatre History is now available online. It is dedicated to the theme Developing Theatre and Philanthropy and gathers contributions from Christopher Balme, Jan Creutzenberg and Nic Leonhardt. All three articles address case studies of promoting theatre practice and education through the Rockefeller Foundation in the 1950s and 1960s. Christopher Balme writes about expert networks, philanthropy and theatre studies in Nigeria, 1959–1969; Jan Creutzenberg illuminates the support of Yu Chi-jin and the Seoul Drama Center in Seoul, Korea. Nic Leonhardt‘s article, “The Rockefeller Roundabout of Funding” focuses on the promotion of Filipino theatre maker and playwright Severino Montano by the Rockefeller Foundation. 
The GTH Journal is an open access journal published by the Centre of Global Theatre Histories with Nic Leonhardt and Christopher Balme as its editors in chief.

Neues Forschungsprojekt „Theatersteuerung nach 1918“ im SfB Vigilanzkulturen, gefördert durch die DFG

Projekt unter der Leitung von Prof. Dr. Christopher Balme und PD Dr. Nic Leonhardt

Die Deutsche Forschungsgemeinschaft (DFG) hat am 22. Mai 2019 den Sonderforschungsbereich1369, Vigilanzkulturen bewilligt, einen auf 12 Jahre angelegten interdisziplinären Forschungsverbund an der LMU München.

Nic Leonhardt und Christopher Balme werden im Rahmen des SfB 1369 das Teilprojekt Theatersteuerung: Theater, Politik und Öffentlichkeit nach 1918 in Deutschland leiten. Das Projekt beschäftigt sich mit der Frage, auf welche Weise sich das Verhältnis zwischen Theater, Politik und Öffentlichkeit zwischen 1918 und 1936 durch die Aufhebung der Zensur, verstärktes finanzielles Engagement der öffentlichen Hand und Kontrolle durch die öffentliche Meinung, verstanden hier als Presse und Theaterpublikum, veränderte. Theater, so argumentieren wir, lässt sich als Ort der erhöhten, konzentrierten Aufmerksamkeit fassen und somit als (analytischer) Schauplatz einer gesteigerten Responsibilisierung der politischen und künstlerischen Akteure gegenüber dem Publikum.

Dem Projekt sind für die erste Förderphase zwei Doktorarbeiten zugeordnet, nämlich Decensorship: Theaterskandale und Öffentlichkeit, ein Teilbereich der von Sabrina Kanthak bearbeitet werden wird, sowie Vom Hofamt zur charismatischen Herrschaft: Der Intendant als Vigilanzfigur, ein Projekt, dem sich künftig Heili Schwarz-Schütte widmet.

Das Projekt nimmt seinen Anlauf zum 1. Juli 2019. Wir freuen uns sehr über die Bewilligung.

Globale Theatergeschichte schreiben – ein Porträt im DFG-Magazin „forschung“, 2/2018

Kunst darf alles, Theater ist grenzenlos. Wie aber schreibt man ihre Geschichte(n)? – Die performativen Künste aus einer transnationalen, transregionalen, transkulturellen Perspektive zu schreiben, scheint so offenkundig – wie es lange ein Desiderat blieb. Mit dem von der Deutschen Forschungsgemeinschaft (DFG) geförderten Reinhart Koselleck Projekt, “Global Theatre History”, das 2010 am Institut für Theaterwissenschaft der LMU München seine Anfänge nahm, haben wir dies zunächst im Kleinen probiert. Das internationale Netzwerk an wissenschaftlichen Partnern wuchs und wuchs mit den  Jahren. Fragen wurden mehr, unbearbeitete Felder der Theaterhistoriographie zeigten sich allerorts. Als die Förderung naturgemäß 2016 auslief, waren wir uns schnell einig, dass das erst der Anfang sein konnte. Also formten wir  das Centre for Global Theatre History, um den Diskurs um die historischen Verflechtungen der Theaterkünste über Grenzen hinweg weiterzuführen.
In der aktuellen Ausgabe des DFG-Magazins findet sich ein Porträt über die Ansätze und Arbeit innerhalb der Globalen Theatergeschichte, verfasst von Nic Leonhardt, neben Christopher Balme Direktorin des Centres.
Zum Artikel geht es hier: Nic Leonhardt: “Der Vorhang fällt nie”. In:  forschung. Das Magazin der Deutschen Forschungsgemeinschaft. 2/2018, S. 22–27.
GTH Centre Logo Jan 2017Noch mehr Global Theatre Histories: www.gth.theaterwissenschaft.uni-muenchen.de www.gth.hypotheses.org

new series: A Cultural History of Theatre (ed. C. B. Balme & T. C. Davis), Bloomsbury

Edited by Tracy C. Davis and Christopher B. Balme, this new Cultural History of Theatre series offers an insightful survey from ancient times (500 BCE) to the present. The set of six volumes covers a span of 2,500 years, tracing the complexity of the interactions between theatre and culture.
Each volume discusses the same themes in its chapters, namely Institutional Frameworks,  Social Functions, Sexuality and Gender, The Environment of Theatre, Circulation, Interpretations, Communities of Production, Repertoire and Genres, Technologies of Performance, and Knowledge Transmission: Media and Memory.

Volume 1: A Cultural History of Theatre in Antiquity (Edited by Martin Revermann)
Volume 2: A Cultural History of Theatre in the Middle Ages (Edited by Jody Enders)
Volume 3: A Cultural History of Theatre in the Early Modern Age (Edited by Robert Henke)
Volume 4: A Cultural History of Theatre in the Age of Enlightenment (Edited by Mechele Leon)
Volume 5: A Cultural History of Theatre in the Age of Empire (Edited by Peter Marx)
Volume 6: A Cultural History of Theatre in the Modern Age (Edited by Kim Solga)

Five GTH Centre members contributed to volume 5, A Cultural History of theatre in the Age of Empire: Jim Davis, Nic Leonhardt, Derek Miller, Stanca Scholz-Cionca, and Laurence Senelick.

New Article Out Now: Theatrical Institutions in Motion (C. Balme)

The first peer-reviewed publication of the new ERC project „Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945” just came out in the Journal of Dramatic Theory and Criticism (vol. 31, 2, 2017).

In his paper “Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era” the project’s principal investigator Christopher Balme examines the complex transnational processes that led to an institutionalization of theatre in emerging nations after 1945.

Christopher Balme: „Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era“, Journal of Dramatic Theory and Criticism, vol. 31, no. 2, 2017, pp. 125–140.

Article available on Project MUSE.

 

„Developing Theatre“ – Presentation of our new ERC Research Project

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http://www.world-theatre-day.org/

Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945 reads the title of our new ERC funded research project under the umbrella of the Centre for Global Theatre History.

On Wednesday, 18 January, 2017, 12 (s.t.)-2pm the project’s leaders and researchers will introduce to the agenda of Developing Theatre at the Institute of Theatre Studies, Georgenstrasse 11, 80799 Munich, room #109. 

Abstract

This new research project, sponsored by the European Research Council, proposes a fundamental re-examination of the historiography of theatre in emerging countries after 1945. It investigates the institutional factors that led to the emergence of professional theatre in the post-war period throughout the decolonizing world. The particular focus will be on the massive involvement of internationally coordinated ‚development‘ and ‚modernization‘ programs both East and West. The project will introduce the concepts of epistemic community, expert networks and techno-politics to theatre historical research as a means to historicize theatre within transnational and transcultural paradigms and examine its imbrication in globalization processes.

With contributions by Christopher Balme (PI), Nic Leonhardt (Associate Director & Senior Researcher), Gautam Chakrabarti (PostDoc), Rebecca Sturm (PhD candidate).

The project website will be online soon.

Contact: n.leonhardt @ lmu.de