New Article Out Now: Theatrical Institutions in Motion (C. Balme)

The first peer-reviewed publication of the new ERC project „Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945” just came out in the Journal of Dramatic Theory and Criticism (vol. 31, 2, 2017).

In his paper “Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era” the project’s principal investigator Christopher Balme examines the complex transnational processes that led to an institutionalization of theatre in emerging nations after 1945.

Christopher Balme: „Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era“, Journal of Dramatic Theory and Criticism, vol. 31, no. 2, 2017, pp. 125–140.

Article available on Project MUSE.

 

IFTR 2017 in São Paulo – Annual Conference

Since 1957, the year of founding of the International Federation for Theatre Research (IFTR), theatre scholars and IFTR members from all parts of the world (in fact from 44 different countries!) meet for their annual conference.

Both the conference theme and the location vary from year to year. The IFTR 2017 conference has a focus on Unstable Geographies: Multiple Theatricalities, and will be hosted by the University of São Paulo, Brazil.

Five associates and researchers of the Centre for Global Theatre Histories and the ERC project Developing Theatre will be attending #IFTR2017 and present papers on their current topics of research:

Christopher Balme: Theatrical modernism for the world: Theatrical Epistemic Communities 1920-1960.

Gautam Chakrabarti: The Red Bear has Awoken!: Soviet Engagement with Indian Theatre Artists in the Cold War.

Nic Leonhardt: “… Enlarging the Boundaries of Human Knowledge“– by Means of Theatre: Multiple Theatricalities and the Philanthropic Agenda of Stabilizing Cultural Geographies after 1945.

Rashna Darius NicholsonWhat’s in a name? The role of language in the invention of colonial and postcolonial South Asian theatre history

Azadeh SharifiDis/Continuity of Post-migrant theatre in Germany theatre history.

 

Public Talk: Theatre in Occupied Berlin and Vienna, 1945-1948

theater1Public talk by Rebecca Rovit (University of Kansas, Fulbright Fellow IFK Wien) Organized by the Centre for Global Theatre Histories.

30 November, 2016, 12-2pm. Theaterwissenschaft, Georgenstrasse 11, 80796 Muenchen, room #109.

„Cultural historians have not sufficiently analyzed how theatre directors and performers coordinated artistic endeavors in the years before Soviet and Western-Allied powers set parameters for cultural life in postwar Berlin. The re-emergent culture after 1945 arose from an artistic collaboration between German-language artists and military officers from four zones of foreign occupation. Evidence suggests that before a German defeat was inevitable, Soviet leaders and exiled artists planned a future cultural policy for Germany and Austria. Officers in the occupied zones recognized the political power of culture and subsidized theatre. Artists knew that the theatre could be a useful conduit to bring recent history to the public. What does this suggest about the theatre repertoire in Vienna, another city, defeated and managed by four world powers? This lecture will explore the interplay of forces that defined the cultural heritage of the occupation in the early postwar years, while tapping into historiographical, national narratives of Germany and Austria.“

 

Developing Theatre after 1945 – Lecture by Christopher Balme @ Uni Heidelberg

Kurzmitteilung

Tglobalgeschichte_vortragsreihe-uni-heidelberghe Department of History at Heidelberg University has invited Christopher Balme to speak about his new ERC project Developing Theatre as part of the department’s lecture series on Global History.

The lecture entitled Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945 will take place on Thursday, 19 January, 2017, 6pm. (Historisches Seminar, Grabengasse 3-5, Hörsaal, Heidelberg).

The new ERC project started recently at LMU Munich. For the next 5 years, an international team of researchers will be working on strategies and politics of developing theatre after the World War II. More on this new avenue of writing Global Theatre Histories will be published shortly!