CfP: „Philanthropy, Development, and the Arts“, International Conference, 23-25 July, 2018

From 23-25 July, 2018, our ERC funded project Developing Theatre will be hosting its first international conference with a special focus on Philanthropy, Development and the Arts: Histories and Theories. At the conference, we seek to interrogate the impact of philanthropy on the field of arts – visual arts, theatre, music, dance, opera, drama education, etc. –  between the 19th and 21st centuries. The conference aims at discussing the work, impact, successes and failures of private and corporate philanthropy and NGOs, including semi-statist organizations such as the Goethe Institut, or the British Council, from the perspectives of history, cultural history, political sciences, art and theatre history.

We are looking for paper proposals addressing the following aspects:

  • Shifting discourses of philanthropy in respect to arts and cultural funding
  • Philanthropic and NGO initiatives in the arts in countries such as Africa, India, Chile, etc.
  • From colonialism to philanthropy: the de/re-colonization of cultural aid
  • Philanthropy vs./ the state: how non-governmental can non-governmental organizations be?
  • Case studies on the private funding of arts and artists with a special focus on development
  • Case studies on field officers, representatives and ‘arts experts’ in charge of philanthropic foundations and NGOs
  • Soft power: arts philanthropy and cultural diplomacy
  • Other related topics will also be considered.

The complete call for papers can be downloaded  here.

Deadline for paper proposals: 30 November, 2017.

The conference will take place from Monday, 23 to Wednesday, 25 July, 2018 at Carl Friedrich von Siemens Stiftung, Munich.

A preliminary programme will be available by spring 2018.

For any inquiries, please do not hesitate to contact PD Dr Nic Leonhardt, Associate Director of the Developing Theatre Project: n.leonhardt@lmu.de.

 

 

 

Indian Theatre Artists and the Cold War. ERC Workshop at IIC, New Delhi, 29-30 Sept 2017

The first workshop of the ERC project Developing Theatre is taking place in New Delhi. Organized by Gautam Chakrabarti, PostDoc of the research group, this workshop brings together theatre, art and media scholars and practitioners from India and Europe at the beautiful India International Centre, New Delhi (29-30 September, 2017).

Post-independence India was one of the key sites where the “cultural Cold War” was fought–more often than not– with as much gusto and ruthlessness as its ideological and military counterparts. Theatre was one of the core areas in which this cultural conflict was played out between the 1950s and 1980s, with almost all the major players, both individual and collective or institutional, in contemporary Indian theatre having gone through the ’rite de tomorrow passage’ of ideological training. Academic exploration of these political contestations and problematisations of cultural practices, especially in the Indian context, have opened up larger horizons of possible enquiry. This workshop seeks to bring practitioners, scholars and witnesses of this fascinating history into dialogue with one another.

Participants: V. Akshara (NINASAM, Heggudu) – Christopher Balme (LMU Munich; PI ERC-Project „Developing Theatre“) – Trina N. Banerjee (Centre for Studies in Social Sciences, Calcutta) – Gautam Chakrabarti (LMU Munich, ERC-Project „Developing Theatre“ – Dwaipayan Chowdhury (Jawaharlal Nehru University, Delhi) – Anirban Ghosh (Jadavpur University, Calcutta) – Rakshanda Jalil (Writer, Critic and Literary Historian, Delhi) – Minakshi Kaushik (Jawaharlal Nehru University, Delhi) – Malashri Lal (Convener, English Advisory Board, Sahitya Akademi, Delhi) – Nic Leonhardt (LMU Munich, Associate Director, ERC-Project „Developing Theatre“) – Raghunandana Sathamarshana (Poet, Playwright and Stage-Director, Bengaluru) – Tripurari Sharma (National School of Drama, Delhi) – Vani Tripathi-Tikoo (Member, Central Board of Film Certification, Delhi) –Atul Tiwari (Theatre-, Media- and Film-Practitioner, Independent Scholar, Mumbai)

The workshop is internal. The programme can be downloaded here.

New Article Out Now: Theatrical Institutions in Motion (C. Balme)

The first peer-reviewed publication of the new ERC project „Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945” just came out in the Journal of Dramatic Theory and Criticism (vol. 31, 2, 2017).

In his paper “Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era” the project’s principal investigator Christopher Balme examines the complex transnational processes that led to an institutionalization of theatre in emerging nations after 1945.

Christopher Balme: „Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era“, Journal of Dramatic Theory and Criticism, vol. 31, no. 2, 2017, pp. 125–140.

Article available on Project MUSE.

 

IFTR 2017 in São Paulo – Annual Conference

Since 1957, the year of founding of the International Federation for Theatre Research (IFTR), theatre scholars and IFTR members from all parts of the world (in fact from 44 different countries!) meet for their annual conference.

Both the conference theme and the location vary from year to year. The IFTR 2017 conference has a focus on Unstable Geographies: Multiple Theatricalities, and will be hosted by the University of São Paulo, Brazil.

Five associates and researchers of the Centre for Global Theatre Histories and the ERC project Developing Theatre will be attending #IFTR2017 and present papers on their current topics of research:

Christopher Balme: Theatrical modernism for the world: Theatrical Epistemic Communities 1920-1960.

Gautam Chakrabarti: The Red Bear has Awoken!: Soviet Engagement with Indian Theatre Artists in the Cold War.

Nic Leonhardt: “… Enlarging the Boundaries of Human Knowledge“– by Means of Theatre: Multiple Theatricalities and the Philanthropic Agenda of Stabilizing Cultural Geographies after 1945.

Rashna Darius NicholsonWhat’s in a name? The role of language in the invention of colonial and postcolonial South Asian theatre history

Azadeh SharifiDis/Continuity of Post-migrant theatre in Germany theatre history.

 

„Developing Theatre“ – Presentation of our new ERC Research Project

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http://www.world-theatre-day.org/

Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945 reads the title of our new ERC funded research project under the umbrella of the Centre for Global Theatre History.

On Wednesday, 18 January, 2017, 12 (s.t.)-2pm the project’s leaders and researchers will introduce to the agenda of Developing Theatre at the Institute of Theatre Studies, Georgenstrasse 11, 80799 Munich, room #109. 

Abstract

This new research project, sponsored by the European Research Council, proposes a fundamental re-examination of the historiography of theatre in emerging countries after 1945. It investigates the institutional factors that led to the emergence of professional theatre in the post-war period throughout the decolonizing world. The particular focus will be on the massive involvement of internationally coordinated ‚development‘ and ‚modernization‘ programs both East and West. The project will introduce the concepts of epistemic community, expert networks and techno-politics to theatre historical research as a means to historicize theatre within transnational and transcultural paradigms and examine its imbrication in globalization processes.

With contributions by Christopher Balme (PI), Nic Leonhardt (Associate Director & Senior Researcher), Gautam Chakrabarti (PostDoc), Rebecca Sturm (PhD candidate).

The project website will be online soon.

Contact: n.leonhardt @ lmu.de

 

 

Developing Theatre after 1945 – Lecture by Christopher Balme @ Uni Heidelberg

Kurzmitteilung

Tglobalgeschichte_vortragsreihe-uni-heidelberghe Department of History at Heidelberg University has invited Christopher Balme to speak about his new ERC project Developing Theatre as part of the department’s lecture series on Global History.

The lecture entitled Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945 will take place on Thursday, 19 January, 2017, 6pm. (Historisches Seminar, Grabengasse 3-5, Hörsaal, Heidelberg).

The new ERC project started recently at LMU Munich. For the next 5 years, an international team of researchers will be working on strategies and politics of developing theatre after the World War II. More on this new avenue of writing Global Theatre Histories will be published shortly!