The Working Group Digital Humanities in Theatre Research of the International Federation for Theatre Research (IFTR) will be meeting at the next annual IFTR conference at the University of Arts in Belgrade, Serbia, 9-13 July, 2018. The call for papers can be downloaded here.
We are soliciting papers and project presentations that represent the full range of experience theatre scholars and practitioners have with Digital Humanities.
We are especially interested in topics that:
- Introduce important digital humanities projects in theatre and performance studies.
- Examine the theoretical implications of Digital Humanities for our research into theatre and performance
- Explore new methodologies in theatre research based on digital technologies
- Focus on digital theatre history and historiography
- Discuss best practices for digital humanities projects in theatre and performance
- Elaborate on innovations in academic curricula in theatre and performance studies inspired by the Digital Humanities
- Investigate the challenges of crowdsourcing or the use of “citizen scholars” in Digital Humanities research.
Working groups are not required to address the theme of an IFTR conference but papers which enter into conversation with the theme are most welcome. The theme of the 2018 conference will be Theatre and Migration. Theatre, Nation and Identity: between Migration and Stasis.
Abstracts are due by Monday, 15 January, 2018 and are to be submitted through the Cambridge Core website https://www.cambridge.org/core/membership/iftr where you can also find information on IFTR membership and a link to the conference website with full details of the conference.
If you have any questions, please do not hesitate to contact the WG convenors,
Nic Leonhardt (LMU Munich, Director, Centre of Global Theatre History & Academy for DH in Theatre; ERC project Developing Theatre, LMU) firstname.lastname@example.org & email@example.com
Franklin J. Hildy (University of Maryland): firstname.lastname@example.org
see you in Belgrade !
Since 1957, the year of founding of the International Federation for Theatre Research (IFTR), theatre scholars and IFTR members from all parts of the world (in fact from 44 different countries!) meet for their annual conference.
Both the conference theme and the location vary from year to year. The IFTR 2017 conference has a focus on Unstable Geographies: Multiple Theatricalities, and will be hosted by the University of São Paulo, Brazil.
Five associates and researchers of the Centre for Global Theatre Histories and the ERC project Developing Theatre will be attending #IFTR2017 and present papers on their current topics of research:
Christopher Balme: Theatrical modernism for the world: Theatrical Epistemic Communities 1920-1960.
Gautam Chakrabarti: The Red Bear has Awoken!: Soviet Engagement with Indian Theatre Artists in the Cold War.
Nic Leonhardt: “… Enlarging the Boundaries of Human Knowledge“– by Means of Theatre: Multiple Theatricalities and the Philanthropic Agenda of Stabilizing Cultural Geographies after 1945.
Rashna Darius Nicholson: What’s in a name? The role of language in the invention of colonial and postcolonial South Asian theatre history
Azadeh Sharifi: Dis/Continuity of Post-migrant theatre in Germany theatre history.
Same agenda – new concept.
Same web address – new face.
New centre – new logo.
After five truly fruitful and successful years and due to its ongoing disciplinary relevance, we reframed the DFG funded research project Global Theatre Histories as a Centre for Global Theatre History.
Our new website went online recently. Check it out!
If you have any questions regarding the Centre’s agenda, possible fellowships, seminars, talks, etc, please do not hesitate to contact Nic Leonhardt, director of the GTH Centre, via n.leonhardt [at] lmu.de
We would like to thank Maryam Khosrovani for the logo !