Keynote «Mediating Cultural Meanders: Dance, Narration, Music» Gannat, France, 25-28 July, 2019

Nic Leonhardt, Director of the Centre of GTH, has been invited as a keynote speaker of the conference Indigenous Languages, Traditional Music and Dance within an Intercultural Performance/ Langues autochtones, musiques et danses traditionelles au sein de performances interculturelles in Gannat (Auvergne, France). The conference, organized by Vikrant Kishore (Australia) and Etienne Rougier (France) takes place along with the Festival des Cultures du Monde, which is a part of UNESCO‘s intangible cultural heritage. Gannat is famous for the festival that takes place every summer since 1974. The conference will be the first of its time.

Nic Leonhardt’s tal “Mediating Cultural Meanders: Dance, Narration, Music” will discuss the circulation of intangible cultural phenomena using the examples of Thai choreographer Pichet Klunchun and his performance “Nijinsky Siam” as well as the figure and stories of Mullah/Hodja Nasreddin.

A warm welcome to Gideon Ime Morison, new PhD student of our ERC Project „Developing Theatre“

We are very pleased to announce that Gideon Ime Morison joined the ERC Project „Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945“  in January, 2019. His PhD research will focus on expert networks, techno-politics and emergent performance trends in select Pan-African cultural and arts festivals focusing, particularly, on FESTAC ’77 and PANAFEST.

Gideon Ime Morison is a poet, academic, researcher, blogger, and theatre/cultural critic. He is an Alumnus of the Department of Theatre, Film and Carnival Studies, University of Calabar and the Department of Theatre Arts, University of Uyo, Nigeria.

Gideon Morison has tutored, partnered and consulted widely for individuals and bodies corporate. His research output, which straddle areas such as media / theatre theory, history and criticism, development communication and comparative cultural studies, has been published severally in the Nigerian Theatre Journal, Parnassus, and Bianchi Journal. He also lectures in the Department of Theatre Arts, School of Secondary Education (Arts and Social Sciences), Federal College of Education (Technical), Omoku, Rivers State – Nigeria.

Expert networks, techno-politics and emergent performance trends in select Pan-African cultural and arts festivals

Global historical happenings such as the Slave Trade, Colonization, World War II and the integration of oppositional voices or liberation movements against them are widely assumed to have had a profound influence / impact on the emergence, development and diversity of performance culture across the African continent. The philosophy and activism of movements like the slave trade abolitionist group, negritude, nationalist political organizations, as well as arts and cultural troupes / groups sponsored or funded from the diaspora seems to have created a network of collaborations with the goal of forging a renaissance in African identity as expressed / exhibited through various international cultural and arts festivals held in Africa from 1966 to 1977 and beyond. Gideon Morison’s research will focus on the critical examination of the global linkages, expert networks, and techno-politics that enabled the staging of these events. With particular emphasis on FESTAC ´77 and the emergent Pan-African Historical Festival (PANAFEST), this study assess the contributions and legacies of the festivals on the performance praxis in the post-colonial territories in which the festivals were and / or still staged.