From 23–25 July, the ERC project Developing Theatre will hold its first international conference at the Carl Friedrich von Siemens Stiftung. International scholars of disciplines such as international relations, art studies, performance studies, and history as well as representatives of foundations and museums will gather in Munich for discussing Philanthropy, Development and the Arts: Histories and Theories.
The preliminary programme can be accessed here.
Keynote Lectures (open to the public, registration mandatory):
Monday, 23 July, 6pm: Volker Berghahn (Columbia University New York): American Foundations, the Arts, and High Politics, 1898-2018
Tuesday, 24 July, 11am: Inderjeet Parmar (London): Foundations of the US-led Liberal International Order: From the ‘Rise to Globalism’ to ‘America First’
Registration: We cordially welcome external guests to attend the conference and/ or the keynote lectures. Please note: registration is mandatory due to the house rules of the Siemens Stiftung. If you would like to register, please send an e-mail indicating your name, e-mail address, affiliation, and if you would like to register for the entire conference and/ or the keynote lectures, to project assistant Gwendolin Lehnerer (MA): email@example.com
For regular updates on the conference, please also consult the Conference Website .
The first workshop of the ERC project Developing Theatre is taking place in New Delhi. Organized by Gautam Chakrabarti, PostDoc of the research group, this workshop brings together theatre, art and media scholars and practitioners from India and Europe at the beautiful India International Centre, New Delhi (29-30 September, 2017).
Post-independence India was one of the key sites where the “cultural Cold War” was fought–more often than not– with as much gusto and ruthlessness as its ideological and military counterparts. Theatre was one of the core areas in which this cultural conflict was played out between the 1950s and 1980s, with almost all the major players, both individual and collective or institutional, in contemporary Indian theatre having gone through the ’rite de tomorrow passage’ of ideological training. Academic exploration of these political contestations and problematisations of cultural practices, especially in the Indian context, have opened up larger horizons of possible enquiry. This workshop seeks to bring practitioners, scholars and witnesses of this fascinating history into dialogue with one another.
Participants: V. Akshara (NINASAM, Heggudu) – Christopher Balme (LMU Munich; PI ERC-Project „Developing Theatre“) – Trina N. Banerjee (Centre for Studies in Social Sciences, Calcutta) – Gautam Chakrabarti (LMU Munich, ERC-Project „Developing Theatre“ – Dwaipayan Chowdhury (Jawaharlal Nehru University, Delhi) – Anirban Ghosh (Jadavpur University, Calcutta) – Rakshanda Jalil (Writer, Critic and Literary Historian, Delhi) – Minakshi Kaushik (Jawaharlal Nehru University, Delhi) – Malashri Lal (Convener, English Advisory Board, Sahitya Akademi, Delhi) – Nic Leonhardt (LMU Munich, Associate Director, ERC-Project „Developing Theatre“) – Raghunandana Sathamarshana (Poet, Playwright and Stage-Director, Bengaluru) – Tripurari Sharma (National School of Drama, Delhi) – Vani Tripathi-Tikoo (Member, Central Board of Film Certification, Delhi) –Atul Tiwari (Theatre-, Media- and Film-Practitioner, Independent Scholar, Mumbai)
The workshop is internal. The programme can be downloaded here.
The first peer-reviewed publication of the new ERC project „Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945” just came out in the Journal of Dramatic Theory and Criticism (vol. 31, 2, 2017).
In his paper “Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era” the project’s principal investigator Christopher Balme examines the complex transnational processes that led to an institutionalization of theatre in emerging nations after 1945.
Christopher Balme: „Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era“, Journal of Dramatic Theory and Criticism, vol. 31, no. 2, 2017, pp. 125–140.
Article available on Project MUSE.
The website of our new ERC project Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945 is online now. Check it out and learn more about the agenda of the project and the work of our international team of researchers.
Public talk by Rebecca Rovit (University of Kansas, Fulbright Fellow IFK Wien) Organized by the Centre for Global Theatre Histories.
30 November, 2016, 12-2pm. Theaterwissenschaft, Georgenstrasse 11, 80796 Muenchen, room #109.
„Cultural historians have not sufficiently analyzed how theatre directors and performers coordinated artistic endeavors in the years before Soviet and Western-Allied powers set parameters for cultural life in postwar Berlin. The re-emergent culture after 1945 arose from an artistic collaboration between German-language artists and military officers from four zones of foreign occupation. Evidence suggests that before a German defeat was inevitable, Soviet leaders and exiled artists planned a future cultural policy for Germany and Austria. Officers in the occupied zones recognized the political power of culture and subsidized theatre. Artists knew that the theatre could be a useful conduit to bring recent history to the public. What does this suggest about the theatre repertoire in Vienna, another city, defeated and managed by four world powers? This lecture will explore the interplay of forces that defined the cultural heritage of the occupation in the early postwar years, while tapping into historiographical, national narratives of Germany and Austria.“