Edited by Tracy C. Davis and Christopher B. Balme, this new Cultural History of Theatre series offers an insightful survey from ancient times (500 BCE) to the present. The set of six volumes covers a span of 2,500 years, tracing the complexity of the interactions between theatre and culture.
Each volume discusses the same themes in its chapters, namely Institutional Frameworks, Social Functions, Sexuality and Gender, The Environment of Theatre, Circulation, Interpretations, Communities of Production, Repertoire and Genres, Technologies of Performance, and Knowledge Transmission: Media and Memory.
Volume 1: A Cultural History of Theatre in Antiquity (Edited by Martin Revermann)
Volume 2: A Cultural History of Theatre in the Middle Ages (Edited by Jody Enders)
Volume 3: A Cultural History of Theatre in the Early Modern Age (Edited by Robert Henke)
Volume 4: A Cultural History of Theatre in the Age of Enlightenment (Edited by Mechele Leon)
Volume 5: A Cultural History of Theatre in the Age of Empire (Edited by Peter Marx)
Volume 6: A Cultural History of Theatre in the Modern Age (Edited by Kim Solga)
Five GTH Centre members contributed to volume 5, A Cultural History of theatre in the Age of Empire: Jim Davis, Nic Leonhardt, Derek Miller, Stanca Scholz-Cionca, and Laurence Senelick.
Gero Tögl, former PhD student of the Global Theatre Histories research project and associate of the GTH Centre, has just published his PhD thesis The Bayreuth Enterprise, 1848-1914.
In this monograph, Gero reassesses the early history of the Bayreuth Festival between 1848 and 1914 from the perspective of a transnational social project dedicated to the ‚regeneration‘ of modern societies and istitutional reform. Based on recent debates in globalization theory, ethnography, and anthropology, the book focuses on the interplay of seemingly contradictory aspects such as financing and anti-capitalist ideology, nationalism and the cosmopolitan reach of Wagner’s ideas, artistic monopolization and global marketing.
Gero Tögl: The Bayreuth Enterprise (1848-1914). Würzburg: Königshausen & Neumann 2017. (ISBN 978-3-8260-6011-3)
Same agenda – new concept.
Same web address – new face.
New centre – new logo.
After five truly fruitful and successful years and due to its ongoing disciplinary relevance, we reframed the DFG funded research project Global Theatre Histories as a Centre for Global Theatre History.
Our new website went online recently. Check it out!
If you have any questions regarding the Centre’s agenda, possible fellowships, seminars, talks, etc, please do not hesitate to contact Nic Leonhardt, director of the GTH Centre, via n.leonhardt [at] lmu.de
We would like to thank Maryam Khosrovani for the logo !
From 19 to 21 of August, the Global Theatre Histories project celebrates 5 years of successful work and inspiring collaboration with international partners as well as the kick-off of a new Center for Global Theatre Histories with a symposium on Translocating Theatre Histories.
Speakers and respondents are: Khalid Amine, Christopher Balme, Rustom Bharucha, Leo Cabranes-Grant, Catherine Cole, Tracy Davis, Marija Djokic, Anirban Ghosh, Nic Leonhardt, Marlis Schweitzer, Laurence Senelick,Rashna Nicholson, Berenika Szymanski-Düll, Gero Tögl, Maria Helena Werneck, meLê yamomo, Catherine Yeh
Conference venue: IBZ Munich, Amalienstrasse 38, 80799 Munich
Please contact Gero Tögl (email@example.com) or Nic Leonhardt (firstname.lastname@example.org) for registration before 15 August.